"Worthy of Survival" returned in its most tragic and melancholy statement as the cue playing over Saul Tigh's uxoricide of Ellen Tigh. tat savitur varenyam That being of light, I come to you. [6] The theme plays again in "Blood & Chrome", when Adama arrives at the Colonial Fleet and sees the Galactica for the first time. In April 2008, more than 1,000 fans attended two sold-out shows at L.A.'s Roxy on Sunset Boulevard, with some fans flying in from as far as Britain and Australia. All the elements of the score are included in the first track, " Battlestar Galactica Main Theme": female vocals, light orchestrations, pounding percussion, and a droning duduk. McCreary was interested in producing an organic sound using real instruments.[2]. The track list is as follows: A final soundtrack, consisting entirely of music from Blood and Chrome was released on March 3, 2013. Season 3- "Someone to Trust. Crossword Clue The crossword clue 'Battlestar Galactica' theme song composer Phillips with 3 letters was last seen on the February 28, 2021.We think the likely answer to this clue is STU.Below are all possible answers to this clue ordered by its rank. (Italian) [16], "The Themes of Battlestar Galactica, Part III", "The Score: Bear McCreary - From "Battlestar Galactica" to "Terminator, "Sepinwall on TV: Michael Giacchino and Bear McCreary, score keepers", "SoundtrackNet: Battlestar Galactica: Season Four Soundtrack", Scoring Sessions Photo Gallery at ScoringSessions.com, Of Duduks and Dylan: Negotiating Music and the Aural Space, Interview with Bear McCreary, March 23, 2009, Terminator: The Sarah Connor Chronicles – Original Television Soundtrack, https://en.wikipedia.org/w/index.php?title=Music_of_Battlestar_Galactica_(2004_TV_series)&oldid=1005488349, Articles to be expanded from September 2010, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, "Are You Alive? Battlestar Galactica - 1978 - Theme Song Audio Preview remove-circle Internet Archive's in-browser audio player requires JavaScript to be enabled. In a more positive mode, it plays as Apollo prepares to destroy the Cylon tylium mining facility in "The Hand of God". By clicking "Accept all" you agree that Verizon Media and our partners will store and/or access information on your device through the use of cookies and similar technologies and process your personal data, to display personalised ads and content, for ad and content measurement, audience insights and product development. When he began work on the series, McCreary was asked to produce something completely different from the "gleaming, brassy sound" of the original series. In the third season soundtrack, it features in the tracks "Violence and Variations", where it is interwoven with the Opera House (Passacaglia) theme, and "Under the Wing.". The track listing for the fourth season soundtrack was announced by Bear McCreary on his blog on 19 June 2009. [3] For some of the series' more important episodes, he requested a full orchestra: "I don't need to put up a fight for it. This song is sung by The Hit Crew. The total running time of the album is 1:18:19. The second-season episode "Valley of Darkness" features "Metamorphosis One" by Philip Glass. [9] While the piece cannot be found on the show's second season soundtrack album, the original recording may be found on Glass' 1989 album Solo Piano as part of Glass' Post Minimalism work. The 2007 Battlestar Galactica video game. The reversed Number Six theme has been used for subsequent appearances of Caprica-Six's internal Baltar. The music of Battlestar Galactica displays a variety of ethnic influences and generally does not conform to the "orchestral" style of many science fiction scores. The next soundtrack, consisting entirely of music from Razor and The Plan, neither of which had previously had music featured on a soundtrack, was released on February 23, 2010. Theme appears in different variations as "Are You Alive? The official soundtrack for Battlestar Galactica's third season was released October 23, 2007. 1" (from "Someone to Watch Over Me") [5:35], "Diaspora Oratorio" (from "Revelations") [4:52], "Apocalypse" (Theme from "The Plan") [4:06], featuring Vocals by Raya Yarbrough & Guitars by, "Arriving at Pegasus" (from "Razor") [2:27], "The Plan Main Title" (from "The Plan") [4:33], "Attack on the Scorpion Shipyards" (from "Razor") [3:37], "Apocalypse, Pt. This theme is occasionally played in ethnic woodwinds or by a string orchestra, but almost always performed by an ensemble of gamelans and bells. MELODICE. Performed on taiko drums and augmented with metallic sounds (including pots, pans and toasters — "toaster" on the show being a pejorative word for "Cylon"). So it ultimately benefited the show, because I started writing for non-traditional instruments and I still had to find ways for those instruments to speak musically the same way that an orchestral score would – meaning that the drama still had to be there; I just couldn’t use twenty-four horns and sixty strings – I had a couple of frame drums and a duduk! / Battlestar Galactica Main Title.". McCreary is credited as sole composer for 26 of the 30 tracks on the Season 1 soundtrack. No_Favorite. He appeared in all 21 episodes of the original series, and in 22 … The piece is played in Kara Thrace's apartment on Caprica (it is explained that her father is the fictional pianist) and plays over Lee Adama and Saul Tigh's conversation at William Adama's bedside at the end of the episode. In the beginning, producers preferred other sounds: They didn't want an orchestral sound. Originally composed for the gentle scenes in "Resurrection Ship, Parts 1 & 2", in which William Adama's caring for the dying President Roslin is most apparent, this theme becomes an obvious thematic marker for their subtle relationship. McCreary re-worked the theme for the second season finale, "Lay Down Your Burdens, Part 2", and a bolder statement of the theme played over the Cylons' occupation of New Caprica. For example, the track "Starbuck's Recon" plays over the final scene on Caprica in "Tigh Me Up, Tigh Me Down". The North American cue was a modification of the instrumental cue used for Zak Adama's funeral in "Act of Contrition", followed by a segment played on taiko drums that played over a montage of scenes from the upcoming episode. — Bear McCreary. The first disc of the two-disc set consists of cues from the main body of season four, excluding "Razor" and "Daybreak"; the second disc comprises almost the full score of "Daybreak", the series finale. Many of the cues from the Miniseries soundtrack have been re-used as incidental or background music in the regular series beginning in 2004. #Distant Future. This is also a Dylan song with lyrics that are thematic to the storyline. Battlestar Operatica. The music of the 2004 TV series Battlestar Galactica is a body of work largely credited to the composers Bear McCreary and Richard Gibbs. A second theme was introduced in the opening episodes of the third season to accompany the love-hate relationship between Leoben and Starbuck. The duration of song is 01:32. According to McCreary's blog, a future international tour and a possible concert CD and DVD is currently in the works. This theme, also referred to as the "Passacaglia", "Allegro", or "Opera House theme", is one of the few recurring motifs in Battlestar Galactica — along with "Worthy of Survival" — not associated with a particular character or group of characters. The total running time of the album is 1:18:53. / Battlestar Galactica Main Title" is related to its frequent interweaving with Number Six's Theme, and Cylon creation by Humans. Graphic Violence ; Graphic Sexual Content ; audio. McCreary is again credited as the primary composer for the Season 2 soundtrack; Gibbs retains his credit for the series' main title music. / Battlestar Galactica Main Title" [5:28], "Apollo Is Gone / Starbuck Returns" [2:19], "Two Funerals" (from "Act of Contrition") [3:26], "Starbuck Takes On All Eight" (from "Act of Contrition") [3:46], "The Card Game" (from "Act of Contrition") [3:04], "Starbuck On the Red Moon" (from "You Can't Go Home Again") [2:01], "Two Boomers" (from "Six Degrees of Separation") [1:48], "The Dinner Party" (from "Tigh Me Up, Tigh Me Down") [3:14], "Baltar Panics" (from "Six Degrees of Separation") [1:46], "Flesh and Bone" (from "Flesh and Bone") [4:06], "Battle On the Asteroid" (from "The Hand of God") [6:53], "Wander My Friends" (from "The Hand of God") [2:58], "Kobol's Last Gleaming" (from "Kobol's Last Gleaming, Parts I and II") [2:49], "Destiny" (from "Kobol's Last Gleaming, Part II") [4:44], "The Shape of Things to Come" (from "Kobol's Last Gleaming, Part II") [2:56], "Bloodshed" (from "Kobol's Last Gleaming, Part II") [1:51], "Colonial Anthem" ("Theme from Battlestar Galactica") (from ", "A Promise to Return" (from "The Farm") [3:03], performed by the Supernova String Quartet, "Lords of Kobol" (from "Pegasus") [2:50], featuring Raya Yarbrough, vocals, "Gina Escapes" (from "Resurrection Ship, Part 2") [2:00], "Dark Unions" (from "Lay Down Your Burdens, Part 2") [2:53], "The Cylon Prisoner" (from "Pegasus") [3:51], featuring Bt4, vocals, "Prelude to War" (from "Pegasus" and "Resurrection Ship, Parts 1 and 2") [8:22], "Reuniting the Fleet" (from "Home, Parts 1 and 2") [2:45], "Roslin Confesses" (from "Lay Down Your Burdens, Part 2") [2:09], "One Year Later" (from "Lay Down Your Burdens, Part 2") [1:43], "Worthy of Survival" (from "Lay Down Your Burdens, Part 2" and "Exodus Part 2") [3:35], "Black Market" (from "Black Market") [5:48], featuring Steve Bartek, guitar, "Storming New Caprica" (from "Exodus, Part 2") [7:48], "Refugees Return" (from "Exodus, Part 2") [3:43], "The Dance" (from "Unfinished Business") [2:33], "Adama Falls" (from "Unfinished Business") [1:46], "Fight Night" (from "Unfinished Business") [2:27], "Gentle Execution" (from "Exodus, Part 2") [3:28], "Mandala in the Clouds" (from "Maelstrom") [4:10], "Deathbed and Maelstrom" (from "Maelstrom" and "He That Believeth in Me") [5:53], "Funeral Pyre" (from "Sometimes a Great Notion") [3:57], featuring Kandyse McClure, "Roslin and Adama Reunited" (from "The Hub") [1:59], "Gaeta’s Lament" (Instrumental) (from "Guess What’s Coming to Dinner?") McCreary's arrangement utilizes the electric sitar, harmonium, duduk, fretless bass, yayli tanbur, electric violin and zurna, and features McCreary's brother Brendan "Bt4" McCreary and former Oingo Boingo guitarist Steve Bartek. Usage in "Are You Alive? The theme returns in season three's "Taking a Break from All Your Worries", when it plays as a drunken Lee – torn between his wife Dualla and Starbuck – loses his wedding ring and frantically searches for it in one of Galactica's corridors. "[10] Cinefantastique finds it "richly textural" and "drawing deeply from ethnic and world beat music. In "Kobol's Last Gleaming, Part 2", it plays as Baltar has a vision amid the ruins of the Opera House on Kobol of that structure as it was during Kobol's glory days. Battlestar Galactica - Prologue - Theme Song. It is commonly used in modern film scoring as a device to mentally anchor certain parts of a film to the soundtrack. As a result, Bear McCreary scored "33" (which was actually the first episode) and then stayed on as soundtrack composer for all subsequent episodes of the series. EMBED (for wordpress.com hosted blogs and archive.org item
tags) Want more? Variations of the theme can also be heard by Saul Tigh in "He That Believeth In Me", the four of the final cylons revealed thus far in "Revelations", and Samuel Anders (who remembers playing the song on guitar) in "Sometimes A Great Notion" . The final version serves as the outro to "An Easterly View", which plays as Admiral Adama sits next to Laura Roslin's grave in the series finale. Lee "Apollo" Adama's theme is a slow, sad piece that is rarely heard on the show: McCreary attributes this to the inflexibility of Apollo's theme, as opposed to Starbuck's, which has spawned many variations. You can easily improve your search by specifying the number of letters in the answer. Featured Vocalist: Melanie Henley Heyn. / Battlestar Galactica Main Title", "Goodbye, Baby", "Six Sex", "Deep Sixed", "The Day Comes", "Counterattack", "A Call to Arms", "Seal the Bulkheads", "The Lottery Ticket", "The Storm and The Dead", "The Sense of Six", "Starbuck's Recon", "Good Night", "By Your Command". share. dhiyo yo nah prachodayat Guide my soul on the path of light. Music and Lyrics by Bear McCreary. Notes. It is one of the few pieces of music in the remade Battlestar Galactica that is both diegetic and extradiegetic. The North American DVD and Blu-Ray releases have used the theme music that was used for the broadcast of the respective episodes. I" (from "The Plan") [6:36], "Apocalypse, Pt. On the 2009 Primetime Emmy Awards Battlestar Galactica's "Prelude to War" was used in a segment showcasing "the Year in Drama". Battlestar Galactica - Prologue - Theme Song Audio Preview remove-circle Share or Embed This Item. bhargo devasya dhimahi Remove my sins the light of all that is good and let us focus on this. I want to hear the Boomer theme!" The cue is always performed on a Chinese erhu or zhonghu, a two-stringed instrument similar to a violin in timbre. Tat savitur vareṇyaṃ. Bear McCreary then developed the theme for Baltar's experiences on the Basestar from this starting point, incorporating Baltar's theme into the piano performance. Bear McCreary (born February 17, 1979) is an American musician and composer of film, television, and video games scores based in Los Angeles, California.He is best known for his work on Agents of S.H.I.E.L.D. The theme became a general theme for the Cylons and Cylon Raiders in particular, a development that is highly prominent in "Scar". [7] The prelude fanfare is also heard during the ceremonial squadron flyby in the first part of the miniseries. An arrangement of Bob Dylan's "All Along the Watchtower" features prominently in the third season track "A Distant Sadness", and specially the season finale episodes "Crossroads, Parts 1 and 2", in the tracks "Heeding the Call", and the penultimate "All Along the Watchtower". In season 4 the theme is also played on Scottish smallpipes, including a building march entitled "Farewell Apollo" in the episode "Six of One". Roslin's theme was set to lyrics a second time for the third season premiere "Occupation", this time in Armenian. 14 ("Moonlight" Sonata). Battlestar Galactica Theme song from the album Greatest Sci-fi Themes is released on May 2017 . A piano version of the tune entitled "Kara Remembers" can also be heard in the episode "Someone to Watch Over Me". The strings, when they come up, suddenly sound special and unique, and when those episodes come up, I think viewers are subconsciously drawn to them because it sounds bigger, whereas if we plastered every episode with strings that effect would be lost. In the third season soundtrack, it features in the track "Violence and Variations", where it is interwoven with Lee and Kara's love theme, and "Under the Wing." On occasion, Battlestar Galactica features music that was not composed specifically for the series. Prologue (From "Battlestar Galactica") - song by The City of Prague Philharmonic Orchestra | Spotify. The duration of song is 01:29. Find all 146 songs featured in Battlestar Galactica Soundtrack, listed by episode with scene descriptions. The music of Battlestar Galactica makes use of the technique called "leitmotif". The song… Several previously established themes are re-visited: for example, the Adama family theme ("Admiral and Commander"), Starbuck's theme (in the cues taken from "Maelstrom") and the "Worthy of Survival" theme ("Gentle Execution"). Also known as the "Cylon overlord theme", this simple 9-note motif was composed by Richard Gibbs for the Miniseries. Irish singer Lilis Ó Laoire sings in the Irish language on "Wander My Friends". The theme serves as a general theme for Number Six, in particular the copy that "haunts" Gaius Baltar, and plays over the prologue of each episode. The first theme was originally composed for "You Can't Go Home Again", as a triumphant cue for when Starbuck escapes from the red moon on which she was stranded, flying a captured Cylon Raider. 1 decade ago. "While the accompanimental figures come from Prelude, the melody is wholly original to this theme. Joanna Weiss of The Boston Globe states that "visionary composer Bear McCreary... did much to create the rich atmosphere of Battlestar. Tigh's theme is first stated during Colonel Tigh's declaration of martial law in "Fragged"; it returns during the third season, playing as Tigh is released from prison and over other key character moments for Tigh. The theme was further developed as a "destiny" cue in "Maelstrom", in which Starbuck, before her own apparent demise, appears to commune with Leoben and her deceased mother. However, the development of leitmotifs was not part of the composers' (Bear McCreary) original plan: For a show that set out to avoid 'themes,' Battlestar Galactica has certainly ended up with quite a few. He is perhaps best known for composing the theme tune to the television series Battlestar Galactica and Knight Rider . The 9/8 figure is divided unevenly into a group of 3, followed by 3 groups of 2. Thematic background music playlists for Battlestar Galactica board game. "Wayward Soldier" and "Violence and Variations" develop the second season's use of strings, as exemplified by "Prelude to War". Appearing in the first season soundtrack as "Passacaglia" after the Spanish and Italian musical form that it follows, the theme was first introduced over the opening montage of episode "Kobol's Last Gleaming, Part 1". This part is missing at the beginning of Season 2, but returns in "The Farm". "[3] The Chicago Tribune's Maureen Ryan praises McCreary's work on the series as "sensational" and "innovative. The 2003 Battlestar Galactica video game - the XBOX / PlayStation 2 video game production that apparently was to support the Singer/DeSanto continuation project. Flag this item for. It is almost always performed on a gamelan. "[12] SoundtrackNet gave the fourth season soundtrack five stars, saying "This album is a must-have for any soundtrack collector."[13]. This theme is a simple waltz, inspired by traditional Celtic ballads, and serves as a "love theme" for Laura Roslin and William Adama. Sharon's theme is sombre and introspective, representative of the inner conflict common to both principal copies of Number Eight (Sharon) featured in the series. Edward James Olmos (Admiral Adama) and Grace Park (Boomer/Athena) made appearances. Orchestral music began to be introduced near the end of the first season. Battlestar Galactica. The Cylon theme was first introduced when Karl "Helo" Agathon ran from the Cylon centurions in "33", then later throughout the first season as the Cylons pursued Helo and Sharon. The most famous version of the song, recorded by Jimi Hendrix, plays at the very end of "Daybreak, Part 3", making it the last song played in the series. 16. The track list is as follows: The main titles of Battlestar Galactica have been set to two distinct pieces of music. #Science Fiction. It returned at the end of the second season as a love theme for Tyrol and Cally, and served in that role for the rest of the series. The episodes that require an orchestral presence are self-evident, and everybody at Sci Fi and the producers know it's money well-spent."[3]. So say we all: composer Bear McCreary on the theme song and music of Battlestar Galactica. 1. McCreary "wanted to create a musical idea that would represent both [Tigh's] strength and loyalty, as well as his unpredictable and dangerous nature." dhiyo yo naḥ pracodayāt. The theme is again used in "Daybreak, Part II", heard at several junctions in the show, including when Adama flies the last Viper off the Galactica and when Anders flies the fleet into the sun. A collection of mostly science-fiction television series theme-songs, Battlestar Galactica - The A to Z of Fantasy TV Themes. Advanced embedding details, examples, and help! Tigh's theme is inspired by present-day military hymns, and, along with Kat's theme from "The Passage", represents almost the only use of orchestral brass in the entire score. This rendition of the theme was accompanied with Latin lyrics sung by a boy soprano; the lyrics are made up of two of the show's recurring verbal motifs, "All of this has happened before, and all of it will happen again," and "So say we all.". During Baltar's television introduction and the museum dedication scene in the miniseries, the "Colonial Anthem" is played in the background. Richard Hatch, who plays Tom Zarek, played Apollo in the original Battlestar Galactica (1978). The irony is that by the end of the first season they were asking for some orchestra, and we were putting some orchestral strings back into the mix, but it was in a very different context. For the sequence of episodes dealing with Gaius Baltar's experiences on a Cylon Basestar, series creator Ronald D. Moore wished to use "unsettlingly familiar classical piano music": his initial idea was to use Ludwig van Beethoven's Piano Sonata No. Towards the end of the first season one of the producers turned to me during one of the playbacks and said, "Can we get some of that Boomer theme right there? A tender rendition of it can be heard in "Maelstrom" as Lee offers support to the increasingly unstable Kara and the two reflect sadly on their troubled relationship. [12] A ballet based on McCreary's scores for Galactica premiered on March 7, 2009 for a 13-week run. Download Theme From Battlestar Galactica song on Gaana.com and listen Spectacular Synthesizer Collection Vol. #Space. The anthem is actually the main theme music of the original Battlestar Galactica series, originally composed by Stu Phillips. Some of the sections of the theme have connections to the Colonial theme, each being a primary theme in the Miniseries, and some parts are frequently interwoven, stemming from both usage in the first track "Are You Alive? He is informed by his internal Number Six that the mysterious infant he sees within — apparently Hera Agathon — is "the first of a new generation of God's children" and "the face of the shape of things to come." Time: 02:36. 3. #Battlestar Galactica. Battlestar Galactica MP3 Song by The Hit Crew from the album The Best Tv Themes, Vol. Each major variation of this theme is in a different meter: "Passacaglia" is in 3/4, "The Shape of Things to Come" is in 6/8 and "Allegro" is in 4/4. Download Battlestar Galactica song on Gaana.com and listen The Best Tv Themes, Vol. When he began work on the series, McCreary was asked to produce something completely different from the "gleaming, brassy sound" of the original series. Tyrol's theme was first devised as a love theme for Tyrol and Sharon "Boomer" Valerii, but was shelved after its first use because the two characters ended their relationship immediately thereafter. Performances range from a full choral arrangement ("The Hand of God", "Home, Part 1") to a more subtle performance on an Irish whistle ("Resistance"). ", This page was last edited on 7 February 2021, at 22:38. In the prequel show Caprica, the original theme is heard relatively unaltered before the beginning of a professional Pyramid [8] game, giving the impression that it is the National Anthem of either the Colony of Caprica or, given that Caprica is the capital of the Colonies, the Twelve Colonies as a whole. Favorite Answer. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune." It's also missing from "Daybreak". The character of Lieutenant Kara "Starbuck" Thrace has acquired two distinct themes over the course of the series. In its melancholy form, Apollo's theme underscored the destruction of the Olympic Carrier passenger liner in "33"; and in the revelations of Lee Adama's lost love on Caprica in "Black Market". Many of the leitmotifs of the show were introduced in this opus, including the Adama family theme, Boomer's theme, the Cylon theme and Starbuck's theme. In fact, in "Flesh and Bone", this theme was given a dark variation as Starbuck mercilessly tortured Leoben and her motives for doing so became questionable." This song is sung by Stu Phillips. Download Theme From Battlestar Galactica song on Gaana.com and listen Action Movies Vol.1 Theme From Battlestar Galactica song offline. The song haunts the characters Saul Tigh, Galen Tyrol, Samuel Anders, and Tory Foster throughout the two parts of "Crossroads" and plays over the final scenes of "Crossroads, Part 2": like "Metamorphosis One", it is one of the few pieces of music in the remade Battlestar Galactica that is both diegetic and non-diegetic. oṃ bhūr bhuvaḥ svaḥ. — Bear McCreary. The episodes that require an orchestral presence are self-evident, and everybody at Sci Fi and the producers know it's money well-spent." This theme, usually used for heartfelt moments involving William and/or Lee Adama, uses an uilleann pipe and Irish flute in a heavily Celtic style, with lyrics in Irish Gaelic. it is ancient Sanskrit i believe. La chanson du générique, Skye Boat Song, est interprétée par son épouse Raya Yarbrough. O earth, atmosphere, heaven: May we attain that excellent glory. Theme From Battlestar Galactica MP3 Song by The Movies from the album Action Movies Vol.1. Incidentally, in season 4 episode 18, Baltar proclaims "death is not the end" at the funeral. The soundtrack for the 2003 Battlestar Galactica Miniseries was largely scored by Richard Gibbs. The "Worthy of Survival" theme was developed as a melancholy variation of the "Prelude to War" cue used to score the combat scenes in "Pegasus" and "Resurrection Ship, Parts 1 and 2". I thought to myself: we’d never had a discussion that said it was okay for me to start writing a Boomer Theme, but I happened to have done it, and they noticed it, and from that point on I started exploring other possibilities once I realized that this show could develop. This month, SYFY WIRE is interviewing some of the best composers in TV and film, to get insight on the theme songs and scores that stick in our head long after the credits roll. The theme also accompanies Number Three's visions of the Final Five set in the Opera House in "Hero", but its usage is not limited to the Opera House setting: in "Home, Part 2", "Pegasus", and "Unfinished Business" it accompanies emotionally resonant scenes that concern the fate of characters or their relationships. II" (from "The Plan") [2:35], "Pegasus Aftermath" (from "Razor") [4:09], "Kendra's Memories" (from "Razor") [2:43], "Mayhem on the Colonies" (from "The Plan") [3:28], "Civilian Standoff on the Scylla" (from "Razor") [2:56], "Husker in Combat" (from "Razor") [1:54], contains "Theme from Battlestar Galactica" by Stu Phillips and Glen A. Larson, "Major Kendra Shaw" (from "Razor") [5:03], "Cavil Kills and Cavil Spares" (from "The Plan") [2:12], featuring Raya Yarbrough, vocals, "The Hybrid Awaits" (from "Razor") [2:43], "Kendra and the Hybrid" (from "Razor") [6:06], "Princes of the Universe" (from "The Plan") [3:56], "Starbuck's Destiny" (from "Razor") [0:39], "Apocalypse" (Theme from "The Plan" / bonus Live Version) [6:24], performed by The Battlestar Galactica Orchestra, Contains "Theme from Battlestar Galactica" by Stu Phillips and Glen A. Larson, "Automated Cylon Transmission Relay" (2:58), Featuring Raya Yarbrough and Brendan McCreary, vocals, Lyrics by Raya Yarbrough; Music by Bear McCreary, Soundtrack: Season 1- "The Olympic Carrier," "Battle on the Asteroid."
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